In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

Ecco Homo (“behold the man”) employs optically printed footage. In the 1980s, thanks to AIDS hysteria in America, all gay sexuality was once again considered to be essentially pornographic, politically incorrect, sinful or a public health hazard. Ecco Homo is a call to reclaim gay power.

Michele is a three-testicle, sexually insatiable man who goes around bedding all women in town (regardless of age), until one day things goes terribly wrong.

A parable about honor and true character, inspired by the reality of the 18th century. Constantin Brâncoveanu preferred to be beheaded in Constantinople alongside his four sons - Constantin, Stefan, Radu, and Matei - as well as by his counselor Ianache Vacarescu, instead of renouncing the Christian faith.